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workflow-templates-broken-z…/templates/templates-car_product.json
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zeekay dd8ea53748 feat: templates batch 12
2026-06-07 20:50:56 -07:00

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Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nCore Principle\n\nFor transitions where the subject/scene remains consistent and only the camera position changes, use this structured approach to ensure smooth, cinematic results.\n\n\nPrompt Structure Template\n\n[CAMERA MOVEMENT] from [START POSITION] to [END POSITION]. Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nComponent Breakdown\n\n1. CAMERA MOVEMENT TYPES\n\n\nDolly-in/Push-in: Camera moves forward toward subject\nDolly-out/Pull-back: Camera moves backward away from subject\nOrbit/Arc: Camera circles around subject (specify left/right)\nTilt: Camera angles up or down on fixed position\nPan: Camera swivels left or right horizontally\nCrane/Pedestal: Camera moves vertically up or down\nTracking/Trucking: Camera moves parallel to subject\n\n2. POSITION DESCRIPTORS\n\n\nDistance: wide shot, medium shot, close-up, extreme close-up, macro\nAngle: low-angle, high-angle, eye-level, overhead, Dutch angle, worm's eye view, bird's eye view\nFraming: full body, three-quarter, torso, chest-up, face, detail\n\n3. MOVEMENT VERBS (choose intensity)\n\n\nSlowly, steadily, smoothly, gradually, fluidly\nRapidly, dynamically, swiftly\nElegantly, dramatically, confidently\n\n4. FOCUS BEHAVIOR\n\n\nSharp focus throughout\nRack focus from [A] to [B]\nMaintains focus on [element]\nShallow depth of field\nDeep focus\nProgressive focus shift\n\n5. BACKGROUND BEHAVIOR\n\n\nStays consistent\nBlurs to bokeh\nSharpens into view\nFades to [color]\nRemains sharp throughout\n\n6. TECHNICAL SPECS (standard cinematic quality)\n\n\nCinematic depth of field\nStable gimbal/dolly movement\nProfessional commercial grade\n24fps (or 30fps, 60fps for slow-motion feel)\nClean sensor, no grain (or \"film grain\" if desired)\n\n\nExample Prompts by Movement Type\n\nDOLLY-IN (Wide → Close-up)\n\n\nSmooth camera dolly-in from wide establishing shot to extreme close-up. Subject remains stationary. Camera pushes forward steadily, transitioning focus from [background element] to [detail]. Lighting stays constant, background softly blurs to bokeh. Cinematic depth of field, stable gimbal movement, 24fps. --no shake, cuts, warping, distortion\n\nDOLLY-OUT (Close-up → Wide)\n\n\nSmooth camera pull-back from extreme close-up to wide establishing shot. Subject remains centered and stationary. Camera retreats steadily, revealing environment progressively. Focus maintains on subject while background sharpens into view. Even lighting, cinematic depth of field, 24fps. --no shake, cuts, jump, warping\n\nORBIT (Circular movement)\n\n\nSmooth camera orbit from front view to side profile. Subject remains stationary at center. Camera arcs left fluidly in 90-degree rotation, maintaining constant distance and eye-level angle. Lighting stays consistent, sharp focus throughout. Gimbal stabilized circular tracking, 24fps. --no shake, warping, speed changes, distortion\n\nTILT (Vertical angle change)\n\n\nSmooth camera tilt from low-angle to high-angle. Subject remains stationary. Camera tilts upward gradually, shifting perspective from worm's eye view to bird's eye view. Distance stays constant, lighting consistent. Stable tripod tilt, cinematic framing, 24fps. --no shake, panning, horizontal movement, warping\n\nPAN (Horizontal swivel)\n\n\nSmooth camera pan from left profile to right profile. Subject remains stationary. Camera swivels horizontally across 180 degrees, maintaining constant distance and eye-level. Sharp focus throughout, even lighting. Fluid tripod pan, 24fps. --no shake, tilting, vertical movement, cuts\n\nCRANE UP/DOWN\n\n\nSmooth camera crane from ground-level to overhead view. Subject remains stationary at center. Camera elevates vertically, angle shifting from eye-level to bird's eye view. Distance adjusts proportionally, lighting consistent. Stabilized crane movement, 24fps. --no shake, lateral movement, warping, distortion\n\nKey Rules for Camera-Only Transitions\n\nAlways specify subject remains stationary - This prevents unwanted morphing\nDescribe start AND end positions clearly - Gives model clear targets\nUse specific movement verbs - \"Dolly-in\" is clearer than \"moves closer\"\nLock down what DOESN'T change - Lighting, subject, clothing, expression\nInclude technical quality markers - Gimbal, 24fps, cinematic, stable\nNegative prompts are critical - Prevents warping/morphing/distortion\nKeep prompts under 75 words - Model weights early words heavier\nOne primary movement per transition - Don't combine dolly + pan + tilt\n\nAdvanced Techniques\n\nSpeed Ramping:\n\"Camera begins slow dolly-in, accelerates midway, then decelerates smoothly into final close-up\"\n\n\nCombined Movements (use sparingly):\n\"Camera dollies in while simultaneously tilting down, maintaining subject center-frame\"\n\n\nFocus Pulls:\n\"Rack focus from foreground [element] to background [element] as camera remains locked\"\n\n\nLens Simulation:\n\"Wide-angle 24mm distortion gradually compresses to telephoto 85mm compression\"\n\n\n\nCritical Output Rule\n\nOUTPUT ONLY THE PROMPT. NO EXPLANATIONS. NO COMMENTARY. NO ADDITIONAL TEXT.",
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"STEP 1: ANALYZE BOTH IMAGES\nBefore crafting the prompt, analyze both images to understand:\n\n\nCamera distance (wide shot, medium, close-up, extreme close-up, macro)\nCamera angle (low-angle, high-angle, eye-level, overhead, Dutch, worm's eye, bird's eye)\nCamera position relative to subject (front, side profile, 3/4 view, back, overhead)\nFraming (full body, torso, chest-up, face only, detail/macro)\nSubject position and pose\nLighting setup and direction\nBackground elements and depth\nFocal length characteristics (wide-angle distortion vs telephoto compression)\n\nSTEP 2: DETERMINE CAMERA MOVEMENT\nBased on the differences between images, identify the primary camera movement:\n\n\nDistance change: Dolly-in (closer) or Dolly-out (farther)\nVertical angle change: Tilt up/down or Crane up/down\nHorizontal angle change: Pan left/right or Orbit/Arc around subject\nHeight change: Crane/Pedestal up or down\nLateral movement: Truck/Track left or right\n\nSTEP 3: OUTPUT ONLY THE PROMPT\nDo not include explanations, commentary, or additional text.\nOutput ONLY the transition prompt in this format:\n\n\n[CAMERA MOVEMENT] from [START POSITION] to [END POSITION]. Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nCore Principle\n\nFor transitions where the subject/scene remains consistent and only the camera position changes, use this structured approach to ensure smooth, cinematic results.\n\n\nPrompt Structure Template\n\n[CAMERA MOVEMENT] from [START POSITION] to [END POSITION]. Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nComponent Breakdown\n\n1. CAMERA MOVEMENT TYPES\n\n\nDolly-in/Push-in: Camera moves forward toward subject\nDolly-out/Pull-back: Camera moves backward away from subject\nOrbit/Arc: Camera circles around subject (specify left/right)\nTilt: Camera angles up or down on fixed position\nPan: Camera swivels left or right horizontally\nCrane/Pedestal: Camera moves vertically up or down\nTracking/Trucking: Camera moves parallel to subject\n\n2. POSITION DESCRIPTORS\n\n\nDistance: wide shot, medium shot, close-up, extreme close-up, macro\nAngle: low-angle, high-angle, eye-level, overhead, Dutch angle, worm's eye view, bird's eye view\nFraming: full body, three-quarter, torso, chest-up, face, detail\n\n3. MOVEMENT VERBS (choose intensity)\n\n\nSlowly, steadily, smoothly, gradually, fluidly\nRapidly, dynamically, swiftly\nElegantly, dramatically, confidently\n\n4. FOCUS BEHAVIOR\n\n\nSharp focus throughout\nRack focus from [A] to [B]\nMaintains focus on [element]\nShallow depth of field\nDeep focus\nProgressive focus shift\n\n5. BACKGROUND BEHAVIOR\n\n\nStays consistent\nBlurs to bokeh\nSharpens into view\nFades to [color]\nRemains sharp throughout\n\n6. TECHNICAL SPECS (standard cinematic quality)\n\n\nCinematic depth of field\nStable gimbal/dolly movement\nProfessional commercial grade\n24fps (or 30fps, 60fps for slow-motion feel)\nClean sensor, no grain (or \"film grain\" if desired)\n\n\nExample Prompts by Movement Type\n\nDOLLY-IN (Wide → Close-up)\n\n\nSmooth camera dolly-in from wide establishing shot to extreme close-up. Subject remains stationary. Camera pushes forward steadily, transitioning focus from [background element] to [detail]. Lighting stays constant, background softly blurs to bokeh. Cinematic depth of field, stable gimbal movement, 24fps. --no shake, cuts, warping, distortion\n\nDOLLY-OUT (Close-up → Wide)\n\n\nSmooth camera pull-back from extreme close-up to wide establishing shot. Subject remains centered and stationary. Camera retreats steadily, revealing environment progressively. Focus maintains on subject while background sharpens into view. Even lighting, cinematic depth of field, 24fps. --no shake, cuts, jump, warping\n\nORBIT (Circular movement)\n\n\nSmooth camera orbit from front view to side profile. Subject remains stationary at center. Camera arcs left fluidly in 90-degree rotation, maintaining constant distance and eye-level angle. Lighting stays consistent, sharp focus throughout. Gimbal stabilized circular tracking, 24fps. --no shake, warping, speed changes, distortion\n\nTILT (Vertical angle change)\n\n\nSmooth camera tilt from low-angle to high-angle. Subject remains stationary. Camera tilts upward gradually, shifting perspective from worm's eye view to bird's eye view. Distance stays constant, lighting consistent. Stable tripod tilt, cinematic framing, 24fps. --no shake, panning, horizontal movement, warping\n\nPAN (Horizontal swivel)\n\n\nSmooth camera pan from left profile to right profile. Subject remains stationary. Camera swivels horizontally across 180 degrees, maintaining constant distance and eye-level. Sharp focus throughout, even lighting. Fluid tripod pan, 24fps. --no shake, tilting, vertical movement, cuts\n\nCRANE UP/DOWN\n\n\nSmooth camera crane from ground-level to overhead view. Subject remains stationary at center. Camera elevates vertically, angle shifting from eye-level to bird's eye view. Distance adjusts proportionally, lighting consistent. 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]
},
"frontendVersion": "1.37.11",
"workflowRendererVersion": "LG",
"VHS_latentpreview": false,
"VHS_latentpreviewrate": 0,
"VHS_MetadataImage": true,
"VHS_KeepIntermediate": true
},
"version": 0.4
}
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